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Fast-paced and deeply satisfying . . . Simon is at the height of her considerable powers . . .
The prose here is propulsive, stylish, and pleasingly spare, with narrating crime reporter Emily Kelton’s voice sliding often into noir territory. Bad Boy Beat is a top-notch read, securing Simon’s position as one of the sharpest voices working in crime fiction today

“Simon’s staccato prose sets a tense mood that keeps readers on the edge . . . New territory for Simon that’s definitely worth another chapter”

“Readers will quickly find that the twists and turns of the plot more than satisfy – with a particularly stellar final act that is guaranteed to please even the harshest critic of crime fiction”

“If you want a swift mystery with plenty of clues, you’ll enjoy this”

“The plot is tightly written with several twists and turns to keep it interesting”

“Simon draws on her career as a journalist, in particular her reporting on Boston’s music scene in the 1990s, for the setting, concert scenes, and flashbacks, bringing a gritty reality to this dark suspense tale”

“For Fans of Alexander McCall and Janet Evanovich”

“Simon, a former Bostonian who once wrote for magazines covering the music scene, kicks off her Boston Noir series with a fascinating reminiscence of sex, drugs, and rock and roll”

“Vibrant descriptions . . . Readers with a taste for noir are sure to want to see more”

“Simon expertly casts suspicion on one member of her tiny human cast after another”